Watch options. Storyline Edit. Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grisly remains and piecing together the puzzle.
However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences. It's a Trap. Crime Horror Mystery Thriller. Rated R for sequences of grisly bloody violence and torture throughout, and for language. Did you know Edit. Trivia The seamless transitions between separate scenes in the film were not created using digital visual effects, but were done practically.
For these transitions, the sets were build in such a way that two separate scenes could be filmed in one shot without interruption. Goofs at around 3 mins During Jigsaw's autopsy, his brain is easily removed from the skull, with no connection to the brain stem or spinal cord.
In reality, dissection is needed to remove the brain. Quotes [last lines] Jigsaw : You feel you now have control, don't you? Alternate versions The German theatrical version, although rated "Not under 18", was cut by 55 seconds it is based on the U.
R-rated version. Since there are different rating standards for theatrical and home video releases, this rating was denied for the DVD release. Additionally, another version with scenes cut with a "Not under 18" rating was released as well.
Connections Edited into Saw V Soundtracks I. User reviews Review. Top review. It surpassed my expectations Saw reigns again for the fourth year in a row. As a die hard Saw fan, Saw IV was one of my top must sees of Fortunately, I didn't get my hopes up, and therefore I wasn't disappointed.
The movie has its fair share of flaws, don't get me wrong. However, the movie made this Saw fan happy because it maintained the spirit of the series. The movie's biggest flaw is that it is by far the most unrealistic of the series and relies too much on chance within the story.
Too many events are contingent on others, which makes Jigsaw look almost clairvoyant. However, I was able to look past this and enjoy the fourth Saw film. Jigsaw Tobin Bell is dead. Though he is gone, he vows that his work will continue. They'll start by looking into his past, beginning with his ex wife, Jill.
The acting is pretty good. Bell brings so much more to the character this time around through flashbacks as we learn more about John Kramer. Showing that he has created one of the most memorable characters of recent memory, Bell makes us almost sympathize with him, despite the acts he has committed. Mandylor is really good as Detective Hoffman, even though he has limited screen time and dialog. I liked Patterson a lot because of the toughness and reality he brought to the character.
Agent Strahm is a good character and definitely one of my favorites in the series. One big surprise was Lyric Bent as Rigg. He definitely showed a lot of range in this movie. He has a future. The plot is probably the most complex, as there can be as many as 3 different subplots going on at the same time, all while the audience has questions from the first 3 movies answered.
The ending also leaves a little to be desired, as it is the least impacting twist of the series and most obvious. However, I really enjoyed the traps, which were definitely a step up from Saw 3. The random gore was kept to a minimum, but the beginning is absolutely horrifyingly gory. It also felt rushed, which means I can't wait to see the unrated DVD. Hopefully it'll have more extra footage than the others.
Saw 4 has the weakest script of the series, but it's still better than I expected. At this point, it appears as if Darren Bousman is going through the motions, and that's what keeps the series spirit alive.
As long as Bousman, Wan, or Whannell continue to be involved, the spirit should live on. I also have to give props to the editor for the smooth and catchy transitions, not to mention the production design is top notch.
That and the lighting provide at least some horror realism, as the plot does border on absurd at times. The sound is better than ever, with the classic 'Hello, Zepp' tune that has become one of the most recognizable tracks in movie history making its dramatic appearance in the climax of the film. The ending also leaves us wanting more, so I'm expecting Saw 5 next Halloween.
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