If you need more detailed information on specific topics, please visit our web site at behringer. This chapter describes the various control elements of your mixing console. All controls and connections are explained in full detail. Please also note the information given in chapter 2. Of course, these inputs can also be used with unbalanced plugs.
This insert point isprefader, pre-EQ and pre-aux send. Unlike reverb and other effects, which are usually added to the dry signal, dynamic processors process the entire signal. So, aux send buses are not the best solution here.
Instead, dynamic processors and equalizers are inserted into the signal path. Once processed, the signal then re-enters the mixing console at the same point where it left. Signal interruption only occurs if. All mono input channels are equipped with insert points. They can also be used as pre-EQ direct outputs, without signal flow interruption. Be sure to set this control fully counter-clockwise before you connect or disconnect a signal source to or from one of the inputs. If available, the output level display of the external device should read 0 dB with signal peaks.
All mono input channels are equipped with a 3-band equalizer. It is a shelving-type filter which can boost or cut all frequencies above a fixed frequency 12 kHz. It is a semiparametric peak filter, which boosts or cuts the frequency range around a variable mid-range frequency.
Then use the MID control to boost or cut the selected frequency range. Like the HIGH filter it is a shelving-type filter, which raises or lowers the level of all frequencies below a specific frequency 80 Hz. Aux sends enable you to take the signals from one or multiple channels and collect them on one bus. This signal is then present at one of the aux send jacks, from where it can be routed to an active monitor speaker or external effects device, for example.
The FX returns are subsequently used as a return bus for the processed signal. In this case,. Otherwise, the effect signal would still be audible, even if the channel was turned down completely. Additionally, they can be used to control an external effects unit, via the. The FX buses are hard wired post-fader. At the same time, all aux buses set to post-fader are muted for the respective channel, while the pre-fader monitor buses remain operative.
Thus, you can monitor a channel signal without affecting the main output signal. With the PAN control on the input channel see [12] you can determine to which of the two groups the signal is routed hard left: sub 1 or 3, hard right: sub 2 or 4. The stereo channels are equipped with a stereo equalizer. Stereo EQs are preferable for processing. With two mono equalizers you might encounter problems with different settings between the left and right channels.
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All other installation or modification should be performed only by qualified personnel. This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure - voltage that may be sufficient to constitute a risk of shock.
The wide blade or the third prong are provided for your safety. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. Please read the manual. Caution To reduce the risk of electric shock, do not remove the top cover or the rear section. Caution To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. Caution These service instructions are for use by qualified service personnel only.
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Each processor offers 99 presets with first-class room simulations, delay and modulation effects as well as compressor, tube distortion and numerous other effects available—all with excellent audio quality!
Unlike conventional designs, this supply automatically adapts to supply voltages between and V. With its considerably higher efficiency, it is also more economical in terms of power consumption than standard power supply units. To provide you with a clear structure, we have grouped the control elements according to their function. Control Elements and Connections This chapter describes the various control elements of your mixing console.
In this case, the volume of the aux signals is no longer dependent on the fader position, so you can create completely independent monitor mixes. In this case, please reduce the input gain using the GAIN control.
Stereo EQs are preferable for processing the frequency response of stereo signals. You can only view or download manuals with. Sign Up and get 5 for free. Upload your files to the site.
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Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation.
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